Archive for the ‘Writing’ Category

Release Day! Accident Among Vampires (or what would Dracula do?)

I am happy to announce my next book, Accident Among Vampires or What Would Dracula Do?

It is a standalone novel n the Paper Flower Consortium! If you are a fan of Norma’s Cleaning Service or Immortal House this is the story of the first year of Norma’s existence as a vampire aka her origin story.

Issaquah, Washington, USA 1951

My name is Norma Mae Rollins. I’m fourteen and an illegal vampire. I miss my mom, but new ghoulish appetites force me to remain with my creator. 

Bill didn’t mean to transform me. At least, that’s what he claims. His frightening temper, relentless lies, and morbid scientific experiments makes it hard to know what to believe. However, someone snitched about Bill’s experiments to a nearby coven. Now both of our corpses will burn. 

Bill won’t run. He is curious what happens to a vampire after final death. I don’t want to die again. It hurt so much the first time. Bill thinks his vampire boyfriend might shelter me. I must brave an eternal existence with elder vampires and other monsters who don’t think I ought to exist. Oh and figure out who I am allowed to eat.  

A vampire’s reality is nothing like the movies.

This book is a found family story, clean of profanity and suitable for most. People do get eaten.

EBOOK is only 99 cents at Amazon https://www.amazon.com/Accident-Among-Vampires-would-Dracula-ebook/dp/B08ZFQRYQS/

SIGNED PAPERBACKS $15.00 on my website! https://www.elizabethguizzetti.com/product-page/accident-among-vampires-paperback

Paper Flower Consortium: Halloween Special

Tonight I’d like to share:

In this special dramatized episode: Paper Flower Consortium’s historian, Loretta Fabron Onfoy reads from the diary of Norma Mae Rollins, December 5th, 1951. 

Norma is now safe from William, well-fed, warm, and educated via a private tutor, but existence with her vampire-grandpa, Derrik, is quite lonely, especially when his wife and enthralled humans aren’t around. 

After her lesson, she wanders the streets of Georgetown in the small hours before dawn. She hears a sorrowful cry which mimics her own pain and rescues a ghost dog. Thinking she might have a friend, she brings it home, not knowing the danger ghosts pose to vampires. 

Warning: This episode is safe for most.  Mild gore and descriptions of intense sadness, loneliness, and self-hatred. 

Cast: 

Norma Mae Rollins voiced by Stevie Rae Causey
Derrik Miller voiced by Evan Witt
Lady Agata voiced by Jennifer Brozek
Ghost #1 and Workman #2 voiced by Dennis Roberts
Mother Singing voiced by Nikki Burton
Workman #1, Ghost #2 and Lady Loretta voiced by Elizabeth Guizzetti

Music:
Opening and Closing music: Loretta by Evan Witt. Learn More at www.wittynotes.com 

Other Sound Effects:
Heart.wav by frantramp | License: Creative Commons 0
Beagle Howling.wav by frontiersoundfx | License: Creative Commons 0 
(Note: No animals were harmed making the sound. Beagle howls on cue.)
DoorCreak.wav by 0XMUSEX0 | License: Creative Commons 0
Crying newborn baby child 2.WAV by the_yura | License: Creative Commons 0

Support the show (https://www.patreon.com/paperflowerconsortium)

Kickstarter Update #2:

Dear Fans of Out For Souls and Cookies,

Can you believe it? In one weekend, we’re over halfway to funded! I am so grateful to all of you.

Taste Edmonds was a quiet show, but I gave out all but five of my remaining original pamphlets, hoping to find more fans of the series.

Over the weekend, one of the backers asked me about the REAL ROSIE AND TYCHO! In particular, they wanted to know why I tended to speak about Rosie.

No, I don’t have a favorite. However, Rosie’s actions are closer to a normal intelligent, albeit lazy, dog. I have often said if the real Rosie had the initiative to match her intelligence, we’d all live in Rosietown, not Seattle, Washington, USA, or Earth. It’d all be Rosietown.

Wait, you’re thinking. Not everyone likes dogs. Doesn’t matter. Rosie brings everyone to the dogside. She is eight pounds of hedonistic cuteness with the full knowledge of Jedi-mindtricks. If she thinks you don’t like dogs, she’ll sit and stare at you until you pick her up. (And people always do.) The biggest toughest men melt under her gaze and start speaking to her in babytalk. She had one of my hiking buddies carry her for eight miles. Tycho rings the bell when Rosie needs to go out. This is why in the comic, she is the leader.

When I tell stories about Tycho, the stories just get weird. This weirdness inspired parts of the comic in the first place. Lord Fluffcakes is inspired by the Hide-a-squirreldog puzzle which Tycho loved as a puppy. (Follow the link if you want to see a non-creepy dog toy.)

Though Tycho enjoys a day at the beach or quiet hike, he is the ultimate lover of home, hearth, and his puzzle toys. He loves Rosie, my husband and I with an undying devotion and we love him. He wants us all to be safe. Preferably in the same room. He also wants the people and dogs he has adopted in the same room with him. One of his little quirks is Tycho leaves maddening elusive messages in shapes around the house. Here is one of them.

What does it mean? 3 or M or W? Or could it mean: Three monsters invading from the west?
What does it mean? 3 or M or W? Or could it mean: Three monsters invading from the west?

This strange message is close to his dish, but sometimes he carries his messages into the living room or spread across the kitchen floor. Does the change of location mean anything? I don’t know. When Rosie gets hungry she will eat the messages which Tycho has left. Are they hiding something? 

This inspired the use of the dog dish to speak to the big boss.

Issue 2, Page 17
Issue 2, Page 17

 

Tycho, the furry enigma
Tycho, the furry enigma
 If you are wondering if you should give to the Kickstarter, please do! We are only $187 away from funding.

Love Out For Souls & Cookies? Help Fund the Graphic Novel!

I am running a Kickstarter for the long awaited Out For Souls & Cookies Graphic Novel which will include the 5 original issues plus an exclusive brand new story inside! It will be a 136 page, full color graphic novel. My goals are really just to presell the graphic novel and make it the best it can be.

OFSC_FrontCover

Cover for Graphic Novel!

Out for Souls and Cookies is an ALL AGES comic series about two demons who tire of stealing souls. However, Hell has no retirement plan. So they disguise themselves as poodles and move to Seattle where people will take care of them.

The first goal of $500 is to just pre-sell as many copies as I can, but I do have stretch goals …

Stretch Goal of $5000 ???

For more informaiton, click on the cover or the link is below: https://www.kickstarter.com/projects/129641212/out-for-souls-and-cookies-graphic-novel

What is a trunk novel? The Story of The Martlet

So after posting about The War Ender’s Apprentice last week, I got a few questions and specifically the one I am going to answer is What is a trunk novel? (Or more specifically: why the hell did you keep a decent novel in your back pocket in the days of self publishing?)

The definitions of a trunk novel are: 1) a non-publishable novel the author finished early in their writing career (2) a novel they never sold.

The original The Martlet novel was both. It was inspired by a short story I wrote while I was waiting to hear back from publishers about Other Systems back in 2011. I sent it to a literary magazine who rejected it, but gave me a long feedback letter. They loved it, but felt like it was part of a novel. Specifically they loved the idea of the central character: a person who stops wars before they get started and they loved the relationships that I showed. So I sat down and wrote the novel using my drafting process.

Roark

Original Character Sketch of Lord Roark 

I originally thought this was a swashbuckling adventure book with mass market appeal so I sent it out to publishers. The rejections started piling up from big and small publishers–including 48Fourteen who published Other Systems. Only one small publishing company showed any interest, but I hesitated and the opportunity was gone.

I sent The Martlet to beta readers, the overall feedback I got was that everyone loved the characters, but felt the A plot and B plot was overly complicated. Thinking there was something wrong with the beginning, I wrote a new beginning. And I tried to smooth out the A Plot, by adding shorter adventures so the characters could solve things while continuing to work on the big plot which takes years. (Yep, I literally made it even more episodic!)

SIDE NOTE: if The Martlet was my only project I might have come to the conclusion to break up the novel earlier, but during this time, I also finished the third book in Faminelands, the final episodes of Out for Souls and Cookies, I wrote and 48Fourteen published The Light Side of the Moon, I wrote and self-published The Grove, and I spent six months collaborating with Jennifer Brozek on the graphic novel version of her short story The Prince of Artemis V for which we’re shopping for a publisher right now

However, The Martlet kept calling. Between projects, I’d work on it. Try to see if I could clean up the prose or add a chapter here or there. I added a frame story at one point. I sent it to other beta readers.

I couldn’t turn away from the central cast of characters, especially Roark. I wanted to publish it so it would stop haunting me, yet I knew I would regret publishing it too early.

With every project under my belt, I learn another lesson and The Martlet was now screaming at a fever pitch in the back of my mind. So I started fresh. Now I don’t want to give too much away, but I noticed there was no inciting incident which starts Roark on his path, because it happened when he was much younger than he is in the original novel.

These two points are from Roark’s Background:

Age 13 – 19: During Roark’s apprenticeship, he sees his master [Alana] pulled two ways. Her Martlet vows and her War Ender vows. Personally, he is tired of her do-gooding, when she is breaking laws to do it. 

Age 16: Alana rescues Eohan from a slave ship due to “one of her more idiotic” visions.

This is from Eohan’s Background:

Age 18: Alana rescues [Eohan] from a slave ship. Though unsure about Alana’s methods and Roark’s instincts, the young men become friends.

I started asking myself about other things readers would want to know, like why/how were Eohan and Kian enslaved. If slavery exists: what does that mean for the societies in this book? And where do the War Ender’s come in? Why would a society stop wars, but turn a blind eye to the atrocity of slavery?

Now if these pieces were additions to a novel, The Martlet would become another longer work. As an author and artist, I am always trying to challenge myself. If the problem is that it’s episodic, then I should turn it into interconnected episodes!

What might be a good novel might become a series of epic novellas!

The War Ender's Apprentice copyNow that The War Ender’s Apprentice is out, I have a little more to do with The Assassin’s Twisted Path before I send it to the editor in early January.

Long story short: Though I tend to be a “let’s get it done” type author, sometimes just getting it done isn’t the answer. I needed time to explore the work and discover it’s potential. I’m glad I took that time.

If anyone is pushing you to publish a work, you know isn’t ready, don’t listen. Stick it aside, and work on another project.  Or stick it out and figure out what’s wrong.

The War Ender’s Apprentice is HERE!

As many of my readers know I have had a trunk novel for an embarrassingly long amount of time which I LOVE called The Martlet.  Now with a few books under my belt, I can see how episodic the entire story is. I see now why though I got a lot of great feedback it wasn’t ready for publication.

Over the past six months, I decided to break up the novel in to a series of novella-length stories. Each story is approximately 150 to 200 pages. If you like epic sword and sorcery fantasy with a bit of necromancy, this series might for you.

The first novella is The War Ender’s Apprentice and comes out today! 

The War Ender's Apprentice copy

In the chaotic universe, many intelligent species are on the brink of war, but the Guild holds the violence at bay to foster peaceful trade. The most renowned War Ender is Lady Alana of House Eyreid. Alana hopes to train her beloved nephew, Roark, in her vocation.

It was supposed to be a simple training mission aboard an Interrealm slave ship. However, when Alana find her people enslaved, she murders the crew and rescues every slave—whether criminal, dishonored, or stolen. A fleeting vision of Roark’s future tells her to offer the newly freed Eohan a War Ender’s education.

For her vision to come true, Alana must rescue Eohan’s young brother who was sold in the last port and lost somewhere in the Realms, but first, they have a war to end.


Excerpt

Clouds rolled in, casting the Realm in deep shadows. The last sun dipped into the ocean. They pushed away from the shore on an unlit boat painted black as pitch. The sea was calm enough for Alana to steer the rudder and Roark to row without hindrance until they drifted into the current behind the larger ship.

At twenty-five paces, they dove into the water with a length of rope. As instructed, Roark carefully tethered the rowboat to the stern. Alana edged along the wooden hull. Wearing spiked gloves, she climbed to the upper deck.

Goddess, it stinks. A horrid mix of feces, bodily odors, vomit, blood and greasy pottage filled her nostrils. Over the hatchway stood the overseer holding a scourge of nine twisted thongs. His ill-fitted, ragged clothes looked as if they might rip any moment. His white hair was cropped short, but unwashed and ashy patches of skin flaked off his knees and elbows. She might have felt pity. However, a slave’s moan sang out into the air; the overseer hit his whip upon the grating. His eyes expressed eagerness to apply it upon the flesh of his victims.

Alana’s deceased aunt reminded her conscience, “We don’t kill for vengeance, Alana Mira Eyreid.” But her mentor was dead; she was the Guild Master now.

Alana slid to the deck, removed her metal spikes, hid them in a lifeboat and waited for Roark’s signal. He slipped aft to find the purser. Alana crawled into the captain’s night compartment — a dank, private room one deck below.

In the dim twilight, Alana observed an emaciated Fairsinge woman loosely chained to the wall. Her neck was restrained by a tight iron collar. Her once smooth white cheek branded and ebony hair cropped to her scalp. Upon closer inspection, her body did not look as fully formed as a woman’s, but Alana did not know if that was malnutrition or age. Her eyes were crusted with dried tears, and her reddened nose had left a trail of snot to her mouth.

Knowing the sheer stupidity of such an action, Alana knelt before her and pulled off her face mask and exposed her three-pointed ear.

A hint of life came back into the girl’s eyes.

“You must be quiet and hide.”

The girl mumbled and nodded in agreement.

Alana picked the lock. Once freed, the girl scampered to the far corner and pressed her branded face into her hands.

Replacing her mask, Alana glanced in the dirty mirror to ensure her auburn and silver hair was still covered.

As her dossier said was his habit, at eight bells, the captain entered alone. He undressed. Ribs and knobby joints were stretched across his mottled flesh.

He pulled at the girl’s chain. Holding the other end, Alana leapt from the shadows.

His last words were: “What in the devil?”

She tackled him and clamped his ankle in the iron, then shoved a dirty sock in his mouth. Alana could have killed him quickly. Instead, she pierced one lung and let him gasp.

Alana knelt on his chest and whispered, “You should not brag you don’t pay your debts, Captain. The Guild does not allow malingerers to engage in Interrealm travel. It’s bad for business.”

Alana grabbed his wrist and, using her saber, chopped off his hand which she placed in a tarred sack on her belt. Bleeding and gasping, the captain clutched his stump closer to his chest as she stood.

She opened his desk and found a small box of coin, though not nearly the amount needed for the debt. She opened the ledger. Damn me to the lowest Realm!

Her dossier had suggested the northernmost port in Daouail would be the ship’s first stop for the arena trade. Unfortunately, the ship landed in Dynion’s Port Denwort where several children, aged ten to thirteen, had been sold as house slaves. She pressed her hand to the ledger. Unsure if she would ever be able to right the wrong, she ripped out the page and shoved it in her emergency sack.

She unlocked the captain’s sea chest and dug for money and other valuables. She found a vial of perfume from the Fairhdel province of the same name, but little else.

“No wonder they made an early stop. The ne’er do well probably holds a debt in every Realm.” May he be resurrected as a toad.

Alana threw the branded girl a linen shirt from the chest and a wool blanket off the captain’s berth. The girl didn’t respond, even as the fabric landed on her.

Pressing her finger to the girl’s lips, Alana tried to prod her out of the corner. The girl was frozen. Alana put the linen shirt over her head and covered her in the woolen blanket. She still didn’t budge.

Alana stomped on the captain’s torso. She punctured his other lung and scabbarded her blade. With the hope his gasping was gratifying to the girl, Alana hoisted her up in her arms. In seconds, the dead weight aggrieved her aging shoulders, but she crept up the ladder and sternwards to the first of the four lifeboats without fail.

“Hide here until we free the others.”

Shivering, the girl lay at the bottom of the boat, covered in the woolen blanket.

Moving silently, Alana redrew her saber and slid behind the overseer. Seeking a faster death than the one she gave the captain, she stabbed him in the jugular. Blood sprayed onto the decking. Below the wretched creatures — elfkin, human, and dwarves — shouted, clapped their hands, and shook on the metal grating as he collapsed.

Approaching footsteps. Four sailors raced towards her with clubs and ropes, ready to beat back any slave uprising. They did not expect a Guild War Ender. Alana’s saber twirled towards her first opponent, the telchine sailor. She cut towards hir chest, seeking the earthen heart. She found her mark. The telchine crumbled back to the clay from which sie was formed. Alana always found the sort of clean, yet ostentatious death throe of the telchine, gnomes, giants, and dwarves particularly satisfying.

A rope slashed across her forearm, ripping the weave away. Ignoring the pain, she drew her offhand dagger and rotated towards the next sailor, a human. Her first cut was smooth as it sliced the flesh of his arm, the second hit an artery, spraying more blood on the deck and his earthen colleagues.

Roark appeared from the shadows, the head of the purser held high. He threw it to the surviving sailors who stepped back from the sight.

Alana did not pity them. Her two blades struck their flesh; the sailors fell quickly. Blood and earth spread across the decks.

Grabbing the keys off the overseer, she unlatched the first hold.

A young man pushed on the grating from below as she undid the chains. His face was hidden by a long, tangled mane of black hair, but he wore no beard, not even fuzz. He was at the edge of adulthood, his shoulders still slender, but with the promise of muscularity. Though he spent months in chains, he was not faded, his posture was still erect. No doubt bound for the arena.

The slaves made a wild scramble to the weather deck. They reached towards the sky, embracing their freedom as if it were a physical entity. Alana noticed the young man again, searching the crowd. “Ma! Kian!” he called.

She threw the young man the keys to the lower holds. “There are more below!”

He raced down the ladder.

Alana signaled Roark to prepare lifeboats and went below to where weaker slaves were kept. While those bound for the games were kept healthy, less valuable slaves were so emaciated they could barely stand.

Many hung their heads in hopeless dejection; mothers lay unmoving, cradling babes covered in filth. A closer look revealed these children were already dead or dying.

The young man she had given the keys wept over a middle-aged woman’s corpse.

“We must move quickly.”

“My mother …” He stared at the corpse with red-rimmed eyes.

Alana took the keys and unlocked the chains. “I’m sorry for your loss, but get those who still hold life. Once safe, we mourn the dead.”

Withered women struggled to rise and climb to the upper deck still clutching dead offspring.

The young man didn’t move. “I can’t leave her here. I can’t leave my brother.”

“What’s your name?” Alana asked.

“Eohan, Son of Aedell.”

“Eohan, would Aedell want you to die with her corpse when I abandon this ship to the depths?”

The youth sniffed. “No.”

“It would bring your mother honor to know her son saved these other mothers. Get them to the lifeboats.”

“Lifeboats.” As if the young man came out of a daze, Eohan leapt to his feet and unchained the nearest woman who clasped her dead baby. The woman moaned as he cradled her in his arms and tore out of the hold.

Alana grabbed another woman unable to walk and carried her to Roark who organized the five lifeboats and lowered them one by one into the sea.

She was proud her nephew had the good sense to organize each boat with a mix of healthy survivors and weakened ones. Some slaves dove into the sea and grasped the sides of the boats and other survivors, unwilling to be separated from their families again, clasped each other. Just as well, there wasn’t enough room on the lifeboats anyway.

Four more trips to the bowels of the ship, before she and Eohan were able to save all of the survivors. Every bunk, every corner, every chain, Eohan shouted, “Kian, Kian!”

Once the last survivor was out, Alana grabbed his arm before he went below again.

“My brother…”

“We have to go!”

“My brother … He’s a kid!”

“Children were sold in the last port, if you ever want to see him again we must go!”

He glanced toward the hatch.

Alana grabbed an oil lantern off its hook and smashed it across the deck.

“Come on!”

The boy didn’t move, but screamed, “Kian!”

Alana almost left Eohan to the flames, but heard Alana Mira! Somewhere deep in her mind, through the smoke, she witnessed an adult version of Eohan tossing a squealing auburn-haired child into the air and catching her.

Damn it. The boy was destined to become a man. A man with a child. 

The vision of the child turned to face her. The resemblance to Roark was unmistakable, but she saw something else deep within the blue eyes. Something wild and violent. She was unsure if her vision was literal or figurative representations, but somehow Eohan was bound to the future of House Eyreid. Damn me to the lowest Realm!

“Ki–!” Eohan choked as smoke filled his lungs.

Flames rolled closer to them, eating the decking.

Alana rammed her left index and middle finger into a pressure point deep within the boy’s shoulder and gripped his ear with her right hand. “Move.”

*

 


Want to read more? The War Ender’s Apprentice is available at Amazon in Paperback and on the Kindle! 

Wattpad Expirment: The Grove

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Dear Fellows,

I know it is has been many moons (okay two moons) since I have written on my blog. The reason for this is I am working on a brand new comic which I can’t talk about yet and another project that I am in the process of beta reading so I can’t talk about that either.

However this post is about an experiment that I am doing with THE GROVE. In the hope to gain readers, I am going to post 5 to 10 pages each week on Friday to Wattpad.

Why The Grove you ask? For the simple reason that I own all the rights and it is actually complete so I don’t need to worry about how I am going to end it. The final reason is the project that I am beta reading. I have not decided how it is going to be published yet and I want to see what Wattpad can do for me.

Since the novel is not broken into traditional chapters, but sections with Individual Point of Views: I am adding a few sections at a time, however I won’t break up a section and I am trying to find good ending points so the weekly installment feels fulfilling.

So if you wanted to read one of my novels for free and are willing to read it in installments: You can find the story here: The Grove

How do you set up a table at a Con?

I discuss and demonstrate how I set up a 8 foot table at GeekGirlCon 2016 then show off a few items which I got at the convention last weekend.

Geekgirlcon’s mission is to celebrate and honor the legacy of women contributing to science and technology; comics, arts, and literature; and game play and game design by connecting geeky women worldwide and creating community to foster continued growth of women in geek culture.

I know in the video, I promised a link on the Murder She Tote: I’m sorry, I was a dork and lost the dang card. I’m afraid it fell behind my file cabinet since it was sitting on it. As soon as I find it, I’ll post the link.

Who is the protagonist of The Grove?

 

The Grove Cover_blogsized

I always think its fun to see if I can create a character that the reader loves to hate. They must be sympathetic. They must be interesting. They must also have a need that must be met in the course of the story. But that isn’t necessarily what makes them a protagonist.

So how do you define protagonist.

The most common definition–especially for the lay person–is that the protagonist is the central character of a story.  And professionals agree: According to Literarydevices.com “A protagonist is the central character or leading figure in poetry,  narrative, novel or any other story.” However, then the definition goes on. Seriously its a whole page.

So lets first start with the central characters. For The Grove that’s Dayla Fisher and Jonah Leifson.

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Jonah wants to save humanity from themselves. He believes waking a few bloodthirsty ancient Gods will do it. And he doesn’t care that he might have to sacrifice a few people to do it.

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The Keeper of The Grove, Dayla will do anything to stop Jonah from waking the Gods.  She suffers over any loss of life though she eventually comes to realize she might have to take life to stop Jonah.

So who is the protagonist?

There are a couple basic elements for a protagonist:

  • The protagonist is driving the action of the story and so the narrative revolves around him/her/them.

By this definition, that means my protagonist would be Jonah as he drives the story towards its conclusion.

  • The protagonist may undergo some change within the course of the story.

Uh Oh, Jonah doesn’t go through much of a transformation, he is a true believer in what he is doing, so that might mean the protagonist is Dayla.

  • The events occurring in a story often viewed from the perspective of the protagonist.

Well that could be both characters. As well as three other people: Dayla’s husband Oliver Hayes, Dayla’s best friend Samantha Miller and her one time rival, now charge, Galeno DeAdams.

  • A well-constructed protagonist allows the audience to relate to themselves and the other characters.

This too could be either character. Do you want to save the world with Jonah? Or stop Jonah from sacrificing people with Dayla?

So who is the protagonist?

The truth is who is the protagonist is questionable. I wrote The Grove as a thriller. So in that sense, Jonah is driving the action, while Dayla is fighting for her life, her husband, her friends and lifestyle. Most people will see Dayla as the protagonist, because she isn’t using her magic to delude people into waking three ancient Gods. She is “the good-guy.”

However ultimately who is the protagonist is up to the reader!

Do you agree or disagree? Do you have a favorite book/series in which you question who is the protagonist?


About The Grove:
The Grove Cover_blogsizedGenre: Contemporary Dark Fantasy
340 Pages
Paperback ISBN: 9780980145908
Ebook: ISBN:9780980145922

Sitka’s Quay appears to be like every other coastal tourist town on Highway 101, but lurking below its southern grove of ancient spruce are three sleeping primordial gods. The Keeper, Dayla Fischer, must remain in control of her magical abilities or fall into sickening madness, but lives a relatively quiet life with her husband, Oliver. That is, until the delusional, but charming Jonah Leifson comes to town with a plan to awaken the Three. Soon, children begin disappearing. With powerful suggestion spells and mind reading abilities, Jonah wins over other sorcerers, meth users, the police, and eventually even her husband. Though no one believes her and she doubts her own sanity, she must stop Jonah, before he wakes the Three and brings about the end of the world.

Amazon: https://www.amazon.com/Grove-Elizabeth-Guizzetti/dp/0980145902/
Barnes&Noble: http://www.barnesandnoble.com/w/the-grove-elizabeth-guizzetti/1124461156?ean=2940156779864
IBooks: https://itunes.apple.com/us/book/the-grove/id1153788999?ls=1&mt=11
Kobo: https://store.kobobooks.com/en-us/ebook/the-grove-9

Reviews for The Grove:
“Chaos, murder, sacrifice: it was a delicious read, and I devoured it all.” Dan Thompson, The Black Petal

“If you’re a fan of well-written, fast-paced, fantasy thrillers that trot into the neighborhood of horror, you’ll love it…” Fia Essen, Ariel

“Guizzetti’s delusional and magically gifted anti-hero is truly terrifying…” Janice Clark, Healer’s Apprentice Series

The Grove Roadtrip

I’ve always been open about how I love to make setting so real that people wonder if it’s a real place. That it is almost a character all its own. One way I do that is through travel and experiencing the pulse of a place. So here are some of the places I visited which inspired Sitka’s Quay from north to south.

Washington:

Deception Pass State Park, Whidbey Island: I have been here many times before. This park has one of my favorite winter hikes. And this photo of Rosario Bay was taken on a bright winter day.

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Kalaloch Beaches, Highway 101

I actually went here twice. Once with my hiking buddy, Evan, and the dogs n October 2015 and once with just the dogs in 2016. The first time it was raining, the second time it was so misty it was easy to imagine that I was the only person on Earth. Each beach is a little different, and they are broken up by wooded headlands.

Beach 4

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Beach 3 Stone Arch

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Beach 2 Tree of Life

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Beach 1 Burl Forest

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Quinault and The World’s Largest Sitka Spruce: I drove out here on the same day I went to Beach 1-3.

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Ape Caves, Mt Saint Helens (Off I-5) I visited this a number of years ago with my sister, but I recently went again with my friend Andrea.

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Cape Disappointment State Park

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The town of Illwaco. Notice how cute these painted buildings are, but most of them were empty.

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Oregon

Ecola State Park: I had an appointment in Vancouver and figured I’d use my free time to drive to the coast.  I think Rosie knew I went to the beach without her. She was not happy.

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Cannon BeachIMG_0407.jpg

Hug Point State Park

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So there’s photos of places that inspired The Grove, I hope you like them.


About The Grove:
The Grove Cover_blogsizedGenre: Contemporary Dark Fantasy
340 Pages
Paperback ISBN: 9780980145908
Ebook: ISBN:9780980145922

Sitka’s Quay appears to be like every other coastal tourist town on Highway 101, but lurking below its southern grove of ancient spruce are three sleeping primordial gods. The Keeper, Dayla Fischer, must remain in control of her magical abilities or fall into sickening madness, but lives a relatively quiet life with her husband, Oliver. That is, until the delusional, but charming Jonah Leifson comes to town with a plan to awaken the Three. Soon, children begin disappearing. With powerful suggestion spells and mind reading abilities, Jonah wins over other sorcerers, meth users, the police, and eventually even her husband. Though no one believes her and she doubts her own sanity, she must stop Jonah, before he wakes the Three and brings about the end of the world.

Amazon: https://www.amazon.com/Grove-Elizabeth-Guizzetti/dp/0980145902/
Barnes&Noble: http://www.barnesandnoble.com/w/the-grove-elizabeth-guizzetti/1124461156?ean=2940156779864
IBooks: https://itunes.apple.com/us/book/the-grove/id1153788999?ls=1&mt=11
Kobo: https://store.kobobooks.com/en-us/ebook/the-grove-9

Reviews for The Grove:
“Chaos, murder, sacrifice: it was a delicious read, and I devoured it all.” Dan Thompson, The Black Petal

“If you’re a fan of well-written, fast-paced, fantasy thrillers that trot into the neighborhood of horror, you’ll love it…” Fia Essen, Ariel

“Guizzetti’s delusional and magically gifted anti-hero is truly terrifying…” Janice Clark, Healer’s Apprentice Series

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